…was in Toronto. Students and I and assistants, model and make-up artist made for a nice crowd and a relaxed atmosphere, which after some training in the basics and in “photo recipes” resulted in shots like these, of the “made up in Goth” model:
200 ISO, 1/125 sec, f/8. Flash manual also, 1/4 power. Flash fitted with a Honl Photo 1/4″ grid. A second flash was used as the hair-light; this was fitted with a Honl Photo Speed Snoot.
And the same here, now in B/W. Note how the flash is aimed at her face, not at the back of her head:
And now for some colour, using gels (Egg Yolk Yellow, Mikkel Blue and a green colour I cannot recall).)
And sometimes I like to have fun, using a preset I have created…
All this still in Lightroom.
And here’s the “treated” picture’s original:
And another B/W (black and white, or monochrome) image:
The point is that with a couple of flashes and some simple modifiers you can have hours of fun. As long as you know the theory, the magic “starting points”, and techniques. And that is what today was all about.
Congratulations to my students who won in the recent Capture Oakville photo competition!
- Overall First place went to my student Kevin Workman.
- Hillary Currer won first prize in the “Unaltered/Out of Camera” category
- Roger Passmore won first prize in the “Capture the Human Spirit” category… see his entry below.
- David Hook won first prize in the “Capture Oakville” category.
Ha! That means that two thirds of the winners in this prestigious contest have been my students. Well, I am certainly proud to have contributed to their success, and this makes me extra happy to be a teacher of photography.
Congratulations: excellent work.
As for contributions: I think perhaps I contributed a little more than average to Roger Passmore’s winning entry “Michael”. Here it is:
See what I mean? He captured my spirit wonderfully: serious, perhaps even grumpy, and depressed at many of the things I see in the world. Yup, that’s me!
That’s a supercharged 6.2 litre V8. Yeah, exactly. And it’s a 2012 with, wait for it… 2,000 miles (3,000 km) on it!
This coming Sunday, January 22, I host two Lightroom courses at my home studio. Small size, only a few students (4-5 max).
… and part 2: https://www.meetup.com/Brantford-Photography-School-Meetupome-join/events/236919051/
Who is this for?
For you, if:
- You have always wanted to use Lightroom effectively.
- You are not sure how to set it up: where to store the files? How?
- You are always losing files.
- Importing is a big gamble: you always end up with things more confused than before you started.
- You see question marks meaning “can’t find file”.
- You wish you . could make your own presets.
- You still use Photoshop for editing, but you wonder if it is doable in Lightroom.
- You, too, would like to edit your shoots in one fifth of the time it took you in Photoshop.
- You get the big picture but it’s the tips and tricks that elude you.
- You know a lot of functions, but you’re not sure when to use them.
- You want to learn an effective workflow
…and so on. Come join me; bring a camera and a laptop and, if you have it, an external drive, and I’ll set it all up for you. Lightroom is the way to manage your files, and to edit them and to use them: in one day, learn how.
Follow the links above, or contact me to reserve your spot. Only 4 students allowed, so hurry before it’s full .
Sign up now: there’s time and space to learn all about flash. A model and make-up artist will be supplied for the workshop I am teaching on January 28 in Toronto. In this workshop, from knowing “nothing”, you will learn creative flash in half a day.
Recent single flash shot. Studio settings; manual; off-camera; 1/8″ grid.
And this includes:
- Setting up your camera for flash.
- Why use flash when it’s bright outside?
- TTL or manual flash: Why go manual, and when?
- Speedlights or studio strobes?
- What are the limits to using speedlights?
- Modifiers: gels
- Modifiers: grids and snoots
- Modifiers: softboxes and umbrellas.
- “Magic recipes”: shortcuts for outdoors, indoors, and studio flash.
- Common mistakes – and avoiding them.
- Off-camera flash: How? Why?
- Using radio triggers (which ones?)
- Secrets of creative lighting – examples with model and make-up artist.
You will leave with a few great portfolio shots, but also with an understanding of, and “quick start” recipes for, handling each flash situation that you will come across.
This course is intended for everyone from beginner to pro. What you have in common is that you have an SLR camera, you know little about flash, and you want to learn all about it. Bring your camera! If you have a flash, bring it; if not, no worries: everything is supplied.
There are spots left but space is limited, so sign up now.