This is what I like

But instead, this is what I get:

Snow and local blowing snow changing to rain showers in the morning then to flurries late in the day. Snowfall amount 5 cm. Wind southeast 40 km/h gusting to 60 becoming southwest 30 gusting to 50 late in the morning then increasing to 50 gusting to 70 late in the day.

Grrr.  Why am I here again?

Good thing my cameras are waterproof. Except the “Toe Cap” for my Canon 1Ds MkIII is missing – fell off. Canon “is unable to” (meaning: refuses to. How I hate euphemisms!) sell me one; I have to go to a third party. No doubt $100 for a tiny piece of plastic. But a necessary one.

ADDED:

(It is the “Extension System Terminal” cover.

One tip for you this morning. When you go from a cold area into a warm one (airconditioned hotel to tropical outside – or Ontario day to warm indoors!) wrap your camera into a tightly wrapped plastic bag before going through that transition.  Take it out after 15 minuts when it has warmed up. Else, you get condensation.

Filter tips

A quick tip, today. All about filters.

  • Yes you need them. When it starts raining, or in the snow, or in a sandstorm, you want your filter to be ruined, not your lens.
  • But they cause flare, so you do not need them on all the time. I never use my filters except in rain etc. That’s right –  normally, I use no filters.
  • And polarizing filter (“Circular Polarizers”) are great to darken the sky: so you need them. But do not leave them on. They cut the light by a couple of stops! Only put them on when using them, then remove. This is a very common error: I see it all the time.

Oh and do use your lens hoods all the time.

Here’s a polariser picture:

In other words, I slightly darkened the sky by using a polarizer. This brings back the scene to the impressive one that I felt I saw.

Have fun!

What did I use?

So on my trip to Arizona, what was I using?

  • Canon 1Ds MkIII with the wide lens (16-35 2.8L, though on day one, 24-70)
  • Canon 7D with the 70-200 2.8L
  • Flash: 580EX
  • Honl Bounce card
  • Hoodman Hood Loup
  • Tripod
  • Small Brush (dust that is not on your camera will generally not get into your camera)

That’s what I carried all day, every time I exited my rental car. The rest stayed in the bag.

Here’s a wide sample from yesterday:

And a long sample:

And 9am I fly back to Toronto via Calgary.

Glass

When photographing glass, please make sure that reflections of flash or window light are either absent or neutral.

With giant wine glasses, this is not easy:

But as you see in this studio picture, it is not impossible either. Although it took me a while, just being attentive to the reflections helps move them out of the way.

 

Off to Sedona

I taught a workshop on “Flash” yesterday in Phoenix, AZ.

So yes, they do actually have these wonderful cactuses.

And they also have wonderful photographers. 20 people in a great studio (Studio Moirae, run by Jasen and Christy), and four hours of learning the ins and outs of flash – which once you know it, is great light. That was fun!

As will today’s drive to Sedona be. Better get in the car! Lenses, cameras, polarizing filter… check!