So why would you use flash outdoors during the day?
Sometimes it is obvious: to fill in shadows on backlit subjects. Or to soften hard shadows. But sometimes you do it for more artistic reasons.
Let me illustrate this with a shot taken during the Get Out and Shoot run we did in Toronto early this week – the workshop I wrote recently.
Imagine you are shooting someone – me, say – on a bright day, but in a spot where I am in the shade against the shady side of a grey building. Before you know it you get a dull picture: grey and low-contrast on all counts: blaah.
So that’s when you bring out the flashes. Say, two remote “slave” flashes, fired by a “master” flash on the camera. One slave to the camera’s left, shining into a Honl reflector, and aimed at the subject’s face, to add bright light to the subject. The second flash is equipped with a Honl Speedstrap and on it, a green gel, and this flash is aimed at the grey wall behind the subject to make it less grey.
Now you get this:
You will agree, I hope, that this is a lot better than it would have been without the help of flash. Even, no, especially, on this bright day.
Want to learn about all this stuff: read here of course, but also: join me for training.
(Thanks to colleague photographer Rob Corrado for the picture)