Another poor Facebook decision?

When I post an image on my Facebook page at http://www.facebook.com/cameratraining/ I see what people like, and comment on:

So I see someone “shared” my post. Nice. I’d like to see who, of course; so I click on the link. Now I get this:

Seems very odd that someone is allowed to share my copyrighted picture, but I am not allowed to know who this is.  Doesn’t it? Facebook has some odd “policies”, and it appears this is another one. Photographers, beware.

 

Reflect on this

When you use TTL flash (automatically metered flash), you can get great images – I use TTL all the time. Like in this image of Anastasia:

But sometimes, oooh, it goes wrong and the image goes too dark. Like here:

What happened?

I’ll tell you what.  Your camera’s evaluative/3D Color Matrix metering tries to expose well, and to avoid over-exposed areas.

And that watch is reflecting the flash. So it would be over-exposed. So the camera tells the flash to fire at lower power- to avoid that. Hence, the rest of the image is underexposed.

Simple, once you know: in TTL flash images, avoid reflective surfaces like the watch!

 

Dogma

Be careful to question dogma – in photography like everywhere else.

Two items of such dogma:

  1. You must light evenly in portraits
  2. You cannot shine a flash directly at someone – you must use modifiers like softboxes and umbrellas every time.

So this is not OK?

Sure it is. No rule, even the best ones, always holds. Sometimes art can be made by breaking rules you thought were sacrosanct!

 

Quick portrait

Prior to a class the other day, I decided to do a very quick self portrait or two. Let me share, and explain how.

How? This is how:

  1. A 1D camera with a 580EX flash on it – with that flash used as a master, and disabled otherwise, so it only drives additional flashes.
  2. The camera set to manual, 1/125th sec, f/5.6, 400 ISO.
  3. An additional flash A on our left: a 430EX on a light stand, with a HonlPhoto grid to avoid the light spilling onto the wall.
  4. An additional flash B on our left: a 430EX on its little foot, equipped with a HonlPhoto gel.
  5. A 1:1 ratio of A:B flashes.
  6. The camera set to choose its own focus point for once, since I am holding it myself!
  7. The camera in my outstretched arm, tilted for diagonal line effect.

Not bad eh?

Finally, one more with a different gel on the background flash: egg yolk yellow, my favourite colour.

Total time taken: Maybe two, three minutes.

 

Facebook revealed

Ha ha – I am not the only person to take issue with what I see as Facebook’s Taliban mentality! Read this, in Gawker:

Inside Facebook’s Outsourced Anti-Porn and Gore Brigade, Where ‘Camel Toes’ are More Offensive Than ‘Crushed Heads’

An interesting read, and it underscores my warning about the excessive power wielded by Facebook.

And about the Taliban nature of their policies. I will tell you what I find obscene: the fact that an implied vagina is deemed worse than crushed heads, deep wounds, and excessive blood. That is sick.

 

My Flash pic is too dark!

I am using a flash and my image is too dark! What’s wrong?

It could be any of several things. The top ones in this handy checklist:

  1. You are too far (especially when bouncing). Increase the ISO or open up the aperture, or get closer.
  2. You are shooting a reflective object. Avoid shooting directly at a reflective object: bounce, or move it.
  3. Your Flash Exposure Compensation (“FEC”, symbol lightning rod and +/1 symbol combined) is set to “minus”. Set FEC back to 0, on the camera and on the flash.
  4. You are shooting a white scene. Set FEC to plus, eg +1 to +1.7
  5. Your flash is set to commander mode. Set it back to normal TTL, using the commander/remote button or menu.
  6. Your flash is set to manual mode. Set it back to normal TTL, using the “mode” button.

Now try again!

 

Going black for the day

In continued protest at Facebook and its prudishness, its heavy-handedness, its terms of service, its rude suspension of my account from its monopoly service for a perfectly OK image (see yesterday’s post), and its “no questions, no appeal” process, I am going black for the day.  As far as I recall, this is the first day since I started this blog that I have had no post.

The Economist warned in an article last week that things like this would happen, and that Facebook had better be careful (I paraphrase) – regulators will increasingly look at them, and users will increasingly dislike them. Even in a monopoly situations, having your market dislike you is not a great idea.

So here’s today’s image of the day:

See you all tomorrow (and for my Facebook friends, in a few days time).

 

Banhammered

From where I stand, Facebook has the morality, or the sad excuse thereof, of a Taliban mullah. I have now been banned for three days for “abusing facebook features” for posting an entirely innocent image, much tamer than many I have seen.

It was the following, funny in my opinion, set-up shot, made in honour of another photographer who shot the same model in a similar shot some years ago:

Um, and now, it appears, I am “abusing features”?

It is hard to describe the contempt I feel for these morons.

Now, when I log in, I see this:

The only section in there that seems even remotely to offer a reason for the ban is this:

That to me is not nudity – nothing showing. It is definitely not not pornography; it is also certainly not sexual, let alone “inappropriately sexual”. if they think this is sexual, they are sick.

The dictionary I just consulted says that nudity means the state of being nude, which they say means this:

“nude  (njuːd)  — adj 1. completely unclothed; undressed 2. having no covering; bare; exposed”.

That does not apply here, so I must conclude that Facebook has redefined nudity as “anything remotely hinting that there may be nudity somewhere”. The Taliban, in other words.

So am I being ungrateful to Facebook? They are providing a free service, after all?

No way.

  • First, I am not getting a free product: I *am* the product. Facebook is worth billions because there are millions of advertising-consumers like me earning them money.
  • Second, Facebook has a monopoly on social interaction. The only way I can find and stay in touch with people from my past, customers from my present and prospects for the future, is Facebook.  Google+ has almost none of the people I am interested in on it. I do much business via Facebook. There is no alternative.

“Noblesse oblige”. If you are a monopoly, you have to be careful not to abuse that. You will be held to stricter standards. Facebook will find, one day, that its value is limited by its behaviour.

In the mean time, let me express how sorry I am for my American friends who have to live in a land ruled in part by their equivalent of the Taliban.

And censorship does not work. You can now go look at many more images – and these are NSFW, and do contain nudity – on my Tumblr page, here. Tumblr is not ruled by Taliban.

POST EDIT: Thanks to all my photographer friends from SPS, who have been universally supportive (and annoyed at FB’s prudishness).

 

Warm backgrounds

I took this shot of jazz great Peter Appleyard, the wizard of the vibraphone, back in 2009:

So how did I do this – what was behind my decisions?

Here’s my thinking and execution:

  • This called for a “situational” portrait; an environmental portrait showing him at work, as it were.
  • I therefore used a 24mm lens on a full frame camera (in fact it was the 16-35 f/2.8L set to 24). 24mm is nice and wide, but not so wide I get crazy distortion in the subject (provided the subject is small in the image).
  • I bounced my flash behind me to the left, off the ceiling.
  • Since the venue was dark, and I wanted a lighter background, I used not my normal “400-40-4” settings, but 400-30-2.8 – ie a stop and a third lighter in the background. 400 ISO, 1/30th second. f/2.8.  (Since I am using a wide lens, f/2.8 gives me enough DOF. Since I am freezing the subject with flash, 1/30th second is fast enough).
  • I used “off-centre” composition (using the Rule of Thirds).
  • I focused on Mr Appleyard, using one focus point, then recomposing.
  • I stayed ou t of the way of the audience as much as possible.

This is the thinking that goes though a photographer’s mind quickly. Practice the same – think about things like lens, light, exposure, and composition. You will see you will get quick at this just by asking the right questions.