For my new students, in today’s class: as you see, once you kow the techniques, you can keep it simple. Like today’s shots:
One minute’s work or less, prior to the class, self portrait. Shot “so the ambient light does nothing”: 200 ISO, 1/125th second, f/8, with the flash held in one hand and the camera in the other:
Students in today’s class with background “doing some work”, i.e. something like 400 ISO, 1/40th sec, f/4:
Now similar, but “this is what I call school” – the student from before, but shot again, and now with special rough direct flash plus a little post work (apologies, but it does look cool!):
Ditto, but now lit weirdly… Hallowe’en style… from below (how?):
And finally, two beautiful students; as before shot with “ambient light disappeared”, i.e. at 200 ISO, 1/125th second, f/8:
As you see in these two shots, direct flash can be great and beautiful – as long as it is not near the camera. The flash is off to our left.
None of these shots needed much thinking or much work.
- Decide what the ambient part should be;
- Make it so using ISO/Aperture/Shutter;
- Then add flash.
- Keep the flash off the background if you can (you could use a grid, or keep distance between subject and background).
All you need to remember is this simple logic, plus the limitations – like “do not exceed 1/200th second shutter speed”, and “oh, my lens can only be set between f/4.0 and f/16”, and “outside, make sure the flash is close enough to the subject to have enough power”.
It really is that simple, once you understand. And flash liberates your internal artist, once you do.
Additional courses ready for signing up on http://www.cameratraining.ca/Schedule.html!
Hope you took a moment to correct the B&W girl’s grip.