OK… I can do my job again: I have moved to Brantford, Ontario, and am open for business with a newer, larger studio. Need a portrait for LinkedIn or your company web site? Or need a family portrait? Or have a corporate or family event you would like photographed? Or a wedding? Whatever it is, I am here for you: let me quote.  Or if you want to learn: I teach privately, as well as at Sheridan College in Oakville, and I talk at photography clubs.

At the Ex: the Krispy Kreme Donut Burger was great

Please do photograph yourself and your events: life is short and the days pass you by and can never be replaced. The universe had 20 billion years without you; then you and your loved ones get here; then, an infinity of nothing. That blink is everything: photographing it is the way to keep your precious moments forever—and every moment is precious.

Today’s lesson is a reader question:

“Do you use TTL when shooting events? My results are inconsistent with a lot of under- and ocverexposed shots.”

Yes I use TTL, and I am very consistent. How? Read this article: “TTL: 10 problems, 20 solutions”. Practice all that and you know how to get TTL event consistency!

Give me a call: 416-875-8770 or email

Mission: impossible

Sometimes you are faced with a situation that would be easy to solve with a flash.

Like this church, in which I co-shot a wedding on Saturday:

You can see why the situation needs flash. Without it, I am stuck: I expose for the church, and the stained glass pretty much disappears, as you see above.

Or I expose for the glass:

Yeah, the glass is back. But now I lose the church.

OK, flash then. Simple! (If you have done my courses and bought my books.)

But Wait.

It is a Roman Catholic church, and that church is used to an authoritarian top-down command structure, and in this particular case that works against us. Because the photography rules (and there’s a full page of them) say:

“No Flash”.

Now I am stuck. As my colleague George quite rightly says: “we are here for the people” (and you can imagine him shrug). Right he is.

But hang on. There are still tricks we can use.

One: use the built-in HDR mode in your camera, if it has is. Some high-end cameras do, and my 5D Mk3 is one of those.

Select it and press. The camera now takes three pictures (my choice), two stops apart from each other (my choice), and crunches a few seconds, while it combines them into a JPG file:

Now, the bright and dark areas are no longer 12 stops apart.

And that was the problem: the difference between bright and dark was simply too great for a camera to handle in one image.  Select HDR (which you all know stands for “High Dynamic Range”—right?) and hold the shutter down until it has done three shots (or more, if you prefer).

And then you can work the image a little more in Lightroom, if you like. Problem solved. There’s always a solution.


I have moved to Brantford, Ontario. The new studio and classroom welcome you: call 416-875-8770 or5 email


About to re-start.

The teaching blog is about to restart. My office is being installed.

My first note: a quick tip.

Make backups. Make backups. Make backups.

  • I like to make backups at a time of MY liking – not automatically. That way I only back up good files, not errors.
  • You need multiple backups. At least 2. Disks are failuires waiting to happen. All of them.
  • Of your backups, at least one should be off site.
  • Print your photos, too. Good pigment prints on natural fibre paper last.

If I had not moved the disks myself, what could have happened makes me shudder. Do not become part of the “I lost everything” crowd.