Why you use a Shampooey Goodness light… from today’s corporate shoot. With, and without.. I am sure you can see the difference.
QED. You need that hair light, and you need to aim it very accurately, so as to avoid hitting the face or shoulder. You need to use a snoot.
I taught a special flash workshop over the past two days, at Sheridan College. Seven students, great crowd.
Here, a few images:
Next, a one flash portrait. Yes, you can do some great stuff using just one flash. The flash was fitted with a Honl Photo grid – without that, it could not have worked. Fired by pocketwizards. This student looks like Queen Nefertiti, we decided:
Funny, aunt and niece, who, contrary to what you might think looking at this image, both have a great sense of humour:
And finally, me, by one of the students. A standard four light portrait:
About this portrait:
- It uses a key light, a fill light two stops darker, a hair light, and a background light. Four flashes.
- Key and fill were strobes; the others were speedlights.
- They were all fired by pocketwizards.
- The background was light grey. That makes it difficult, to add colour to it, so we used a considerable distance between me and the background. (The background needs to be dark before you can add colour to it).
And finally the easiest shot. Now I warn you, the sample below was shot from the back of my camera with my iPhone, and then further mangled by Facebook, so do not look at the quality. Look at the idea instead.
So simple. One flash, located behind the subject, aimed at the backround. And a part Harvey Weinstein lookalike in the foreground.
Last night I shot an event with many celebrities. Not being totally in touch with Canadian popular culture, I did not recognize a single one, while everyone else was fawning over them. F1 race car drivers, famous boxers, politicians, NBA stars: the fact I do not know them is probably, I think, an advantage, because I am not intimidated at all. 🙂
An event photography tip. Problem: I had to shoot the red carpet photos by bouncing against a wood wall. Result: the images would look horribly red. Solution: set white balance to the appropriate colour temperature – by trial and error, yesterday that was 4600 K.
Car pictures. Always fun. Including snaps:
That’s my Camaro ZL1, at 400 ISO, 1/400 sec, f/16.
Does anything occur to you when you see those numbers?
Yes, it’s the Sunny Sixteen rule.
Anyway, the car has a lot of detail, like the badges:
So here is my all-new Camaro. Flash TTL, flash bounced behind me,
That is right, a little toy. And it’s my car’s exact colours, too. And that toy has surprising detail. The same badges, for a start.
Note: Over the next while, long term that is, I plan to use this toy as a prop in pictures all over the place, so stand by!
Always carry a camera dept: drinks in the above restaurant, and they looked pretty enough to take a snap:
(35mm lens, manual mode, 1/320 sec, 1000 ISO, f/2.2.)
Today, a reminder of one if my magic “Flash Recipes”. Namely, the “Reception Recipe”. Otherwise known as the “Willems 400-40-4 setting”.
It goes like this. Camera on manual. Flash bounced, and aimed 45 degrees up, behind you.
400 ISO, 1/40 Second, F/4. (the numbers only fit one way: try!)
In most indoors environments that gives you great balance of background and foreground, as in the image above. If the ceiling is high or dark, increase the ISO as needed. Ideally, use a 35mm lens (24mm if you are using a crop sensor camera).
And that’s all. Great party pictures from now on!