Sam The Studio Man

When I prepare a tricky shot, I tend to use  stand-in model while I work on light, so the model does not need to stand there for half an hour while I adjust and move lights.

But these stand-in shots are often good, which is why I use them. While preparing to shoot model Danielle, I shot Sam Taylor, who runs the studio I teach in (see and click on “Schedule”).

I set my exposure for the window: 1/60th sec, f/5.6, 400 ISO. Then I added a strobe with a softbox, and I moved Sam far enough from the window so the strobe would light him up (from 45 degrees above), but would not light up the reflective inside of the window too much. And then I set flash power according to my camera settings. Finally, I did a little desaturating in Lightroom. Result:

Short lighting, great grunge, serious expression, rule of thirds, good balance of background and foreground. A tricky shot, and one I am delighted with.

One of my students remarked on how refreshing it was to see the problem solving process, and to realize that photography is in fact problem solving, yes it is. When I set up a shot, I do not have all the answers, but I see what I want, and I know how to solve problems “step by step” until I get that result.

And sometimes you change your mind. In the final model shot, I could not move the model away from the window, as she sat on the sill. Hence I could not get rid of a shadow cast by the snooted speedlight I ended up using. So then the shot changes entirely: if you cannot beat the shadow, embrace it! To spare those of you who are sensitive, I shall not show you that shot here (it’s a nude),  but if you are interested, click here to go to my tumblr feed.

(By the way: have you considered being photographed this way? if not: consider it. Some beautiful shots of yourself like this are worth making. If you don’t, you may well regret it later in life).


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