As I said before, you can use just about any lens for portraiture.
But there are certain guidelines to obey. Like: when using a wide lens, put the subject small in the centre. Then optionally crop.
To illustrate. This is a 50mm portrait of me just now:
That is just about OK. Any wider and it would be too wide, and for a portrait like that, ideally I would like to zoom in more, to maybe 70mm, and then to stand back.
But perhaps you cannot do that because there is no space. Or you want the environment in the image.
Fine, you can use a wide angle lens. But be careful. If you put your subject too close, the nose will be too large and the face distorted. And if you put your subject near the edge of the image, it will be distorted also.
Look at this 35mm portrait:
Not good. But what if we put the subject smallish in the centre?
That is fine, And optionally, then we crop:
By cropping, we have now essentially made the 35mm lens into a longer lens. But even without cropping, it is the fact that the subject is in the centre and not very big that makes the composition fine.
I can think:
I hope this brief example helps dispel the thought that you “must” have an 80-135mm lens for portraits!
And to finish, a silly image.
Yes, I can be silly.
Finally, a question for you to try your hand at, at home. Can you figure out how I lit these images?
Hi there!
My guess would be a square/rectangular softbox or even the honl bounce card on a speedlite. I guessed those because I see a white rectangular spot in the eyes.
As for the setup, I think master flash on camera with the above mentioned light mod, and another flash (diffused) on the right of the camera (left side of your face is more lit than your right side – in other words right side of the picture is more lit than left side).
mhmm .. is it so?
Yannick
almost tempted to say that it is just bounced off your white wall…bounced to the camera right (and slightly behind).
if not that…most likely 1 softbox located just above you (slightly right of the camera).
btw…assuming that these are self-portraits, how were you able to focus sharply on yourself with the self
I will not give it away yet, of course, until tomorrow. But let me just say that focusing on yourself is tricky. Manual prefocus and patience are required.
I would say that the lighting is a single flash mounted on the camera. However, the flash is turned and pointed to the rear wall (essentially bouncing the light off the rear wall and ceiling)
There’s one light 30-45 degrees over to the right and above your face, firing down on you. Looks rectangular/squarish, so I’ll go with a softbox there. Also, there’s one flash behind you pointing at the wall. It’s low-powered or possibly defused to keep from blowing out the background.
That’s my guess, at least.