On/off?

Quick note about turning your camera on and off.

Don’t, not all the itme. Just let it time out and go to sleep.. It uses almost no power that way. And you don’t wear out the switch. Touch the shutter briefly to eke up th camera when you need it.

But note: the camera will briefly turn on when you hit the shutter and some other switches.

And – and this took me time to figure out – when you move many lenses. The lens, when jarred, can talk to the camera, which will wake up!

Finally: it’s good practice to turn off and on when switching lenses. If only because the dust shaker will operate just when dust is likely to get in.

Why I shoot stills

I am sometimes asked “why don’t you shoot more video? Why stills? Video is much richer, no?”

In my opinion: not necessarily so.

First, there are the practical issues:

  • Video is harder to shoot.
  • You need more equipment (stabilizing rigs, audio systems, focus systems).
  • It is much larger, mening slow to transfer and needing much larger hard disk space.
  • You need much (much) more time to edit.

But there is another reason. Still photos give you time to look.

A video is like a collection if stills where you only get 1/30th second to study each one. A still photo, on the other hand, is something you can ingest, savour, distill, and study.

The need to do this is easily seen in complex photos, like this recent wide angle factory shot:

Food manufacturing facility (Photo: Michael Willems)

But the same is true for every photo. Even a simple portrait (of Courtney, my recent assistant, during a recent Sheridan College course I taught) can make you look, and look again; work out the story; get to the person in a way video cannot easily do.

Courtney Craig (Photo: Michael Willems)

Video chews it all for you; stills make you do some of the work.

My analogy: looking at stills is more like reading a book instead of watching the movie. And I like reading books.

 

Merry Christmas

To those of you who celebrate it: Merry Christmas. To those of you who celebrate Hanukkah: Happy Hanukkah. To those of you who celebrate yet other holidays: enjoy them.

And to those of you who just like to have a good time: Enjoy, but enjoy responsibly.

Christmas tree decorations (Photo: Michael Willems)

And try to take some pictures like this, where the many lights you see in this season are thrown out of focus. As said here before: when your aperture is wide open, they become circles (except near the edge where the can be part circles; when the aperture is stopped down, however, you will see the shape of the aperture (a hexagon, usually).

Enjoy, and see you back here tomorrow.

 

Open wide!

I mean – wide angle lenses are more useful than most people realize. As frequent readers here know, I do tend to say this over and over. And let me reiterate it here, again.

Last week I shot an industrial food facility. And again, the shots I like most are the wide angle shots – like 16mm on a full-frame camera (that is 10mm on your crop DSLR).

And that gets us shots like this:

Industrial Food Facility (Photo: Michael Willems)

Industrial Food Facility (Photo: Michael Willems)

Industrial Food Facility (Photo: Michael Willems)

A wide angle lens, especially when you get close, introduces – you know it – depth, three-dimensionality, perspective, size, and hence drama; and above all, it gives a 2-D still photo credibility.

So if you do not have one yet, ask Santa now (*and you can also ask him for a gift certificate for personal training while you are at it – ask me how).

A “wide” lens is a 10-20mm lens, that order, when you are using a crop DSLR, or a 16-35 or 17-40 when using a fill-frame camera.

 

 

Photograph your life this month!

Life is short, and precious; and photography is the one way we can commit today’s image, today’s person, to eternity. No-one can ever take today’s “you” away once you have a photo!

So I urge you to take pictures – all the time. Learn to do it well (hint: I and many others can help).

And to have professional pictures taken, while you learn to do it yourself. Like this, from a recent family shoot:

How many of you have pictures like that of yourself?

This holiday season may be a good opportunity! If Santa gives you a new camera, ten hers is my assignment:

  • Spend the week before New Year’s Eve practicing;
  • Read this blog and search it;
  • And then on New Year’s Eve, photograph your entire family.

That way you will have those memories forever.

 

Processing

I am not a fan of processing, of “Photoshopping” to make an image look different from what you shot. HDR? Only when used with caution.

But sometimes processing works – when it enhances the look you were after in the first place.

Take this shot. A good image from a recent shoot:

Photo by Michael willems

But the rough grunge look I am after.. how do I enhance that? We found the juxtaposing of odd subject matter and the rough background and floor, but what else can we do to convey the feeling?

Well perhaps this is one of those times where some work may help. Split Tone 4 processing in Adobe Lightroom – a standard processing filter – gives me this:

Photo by Michael willems

Ah! In this case, that is exactly what I am after.

So the best thing is not to be dogmatic about “I don’t do this” or “I must do that”. Never say never.

 

 

Tripod notes

For long exposure images, you need a tripod. Images such as high quality (=low ISO) night shots, long exposures of rivers and waterfalls, and so on.

Contrary to what many believe, a tripod always makes images sharper, even at relatively fast shutter speeds. But you really need it when you exceed, roughly, 1/L second, where L is the length of your lens. So, 1/50th sec for a 50mm lens, or 1/200th sec for a 200mm lens.

Then there are three types of tripod:

  1. Cheap throw-away $50 tripod. A good option for occasional use, or where you may lose, forfeit or forget the tripod, such as while travelling, Light, but not good quality.
  2. Good studio tripod – maybe $200, These are sturdy – but heavy.
  3. High end sturdy-but-light carb0n fibre tripod – up to $1,000 or more. These are light yet sturdy: a great choice for on the road. Costly but it will last you decades.

A good tripod is a worthwhile investment, as you will see when you start actually using it. Ask Santa for one, perhaps?

 

Establishing Shot

Tip: When you shoot an event, shoot an “establishing shot” that shows where the event was held.

Like this:

You can take the shot afterward, or another day – but never start your pictures “in the middle” without showing context.

This will make your event shoots more like rapportage – a story.

 

 

Of mice and men

That above-mentioned book, by Steinbeck, was challenged many times for its alleged vulgarity. As was “Lady Chatterley’s Lover” by D.H. Lawrence. As was “Ulysses” by James Joyce. And the list goes on: many works of art, visual and written, have been seen by the narrow-minded as vulgar.

As was mine today.

I do not of course want to put myself in the same category as those giants, but nevertheless the effect of such narrow thinking is still here. You see, today I was banned from Facebook for 24 hours (so far – it could get worse) for posting an image, in a closed, secret, invitation-only group for professional photographers. An image just like this one, from the same shoot:

Model Kim by Michael Willems

I see this:

Ever noticed that when someone says “Policy”, something bad follows, that you cannot argue with?

Now yes, I do know the Facebook terms of use. In keeping with the 1950s morality that rules much of the religious south, they say there must be no nudity.

That would exclude much renaissance art, of course. But the restriction is not a big deal in practice for images – the way I look at it, nudity must involve something other than arms, legs or shoulders.

And yet I was banned. In a very worrying process: there is no recourse, no debate, no indications of who complained (in a closed secret group like that, the way to get banned is if someone “reports” your image as wrong).

This process is wrong because:

  • As said, is no debate or recourse, no-one to talk to.
  • There is no indication of who your secret accuser is.
  • This process of “report and we basically ban if it offends anyone” drags everything down to the lowest common denominator. Another group I used to be on used to ban people for showing tattoos, since the Lord, in the Bible, apparently prohibits them. This is 2011 USA, not 1500 Europe or Saudi Arabia.
  • Nudity is not wrong! it is beautiful. Violence is wrong – and yet that is allowed all over the place.
  • Not  that there was, in my opinion, nudity here – if even implied nudity is nudity, then heck, we might as well veil our women.
  • Facebook is an important part of a photographers’ business. If Facebook has the right to cancel or ban people with no due process of any sort, that gives them a worrying amount of monopoly power. And absolute power, as we know, corrupts.

But above all – censorship does not work. The people on the closed group all wanted to know more, and all headed to my Tumblr site, which is not run by mice, but by men. And the 150 people in that group can no longer see my image on Facebook, but the many thousands of readers here can now all see it.

 

The Gost of Parties Past

A persistent question I hear: “what about the unsharpness that occurs when you shoot using your famous recommend 400-40-4 rule“?

As said before. Yes – you may get some unsharpness, especially in the shape of ghosting, like in this shot – look at the hand:

Fair enough. BUT….

  1. Motion blur occurs mainly in the “background” area, where the flash is not lighting your subject. Else it is just a little “ghosting”.
  2. It’s only when there’s movement, really;
  3. Key point: it is still better than a badly lit image!
  4. And especially – it depends on your lens too. Wider is better.

The shot above was 1/40th second (or course) at a recent event shoot with the 70-200mm IS lens. When I use a wide lens, this hardly happens – see here the 35mm (on a full frame camera, so this would be a 24mm lens on  a crop sensor camera):

Santa Kiss (Photo: Michael Willems)

So do not hesistae – you can shoot at slow shutter speeds.


Images taken at f/4, 1/40th second, 800 ISO – it was darker than usual, so an increase to 800 ISO was warranted to keep the background bright enough. This also gave my flash more durability and power.