While I have been working non-stop, the mall has been closed since Christmas, so the only business my store has been able to do is curb-side, and emergency passport/ID photos.

But on Tuesday Feb 16, the mall is re-opening, and we’ll be fully open to the public again. In this quiet period we have been doing much to further improve our efficiency and workflow, to serve you even better at Michael Willems Photo.

At the same time, I see how COVID-19 is hurting everything. Not just in the obvious way of disease and death, but also the business environment, especially in logistics. Items that would arrive in days from China now arrive in weeks or even longer. Even in Canada – essential supplies that I had sent “expedited delivery” via Canada Post ten days ago from Toronto have not yet arrived in Ottawa – a four hour drive.

Prices, too – photo frames that we buy for resale, for example, as well as paper and pigments: everything is going way up. Some $20 frames now go for $85 – seriously.

But as much as possible, we have tried not to have things affect our customers: in most cases we have been able to keep prices the same. We even have new initiatives for students and members of the military: see here.

So while the supply-issues may mean I may not be able to do all of the prints you want the same day, they will be done with the usual care and attention. See you in the store Tuesday and beyond!

I have a useful mnemonic for you: “For a flow, go slow”.

Meaning if you are picturing something that happens as a continuous flow, you should use a slow shutter speed, to capture it as that flow.  Like this, a few years ago:

To do this I did the following:

1. Defy death by climbing down an unofficial trail.
2. Use a tripod.
3. Use a wide angle zoom lens (16-35mm, on a full frame camera).
4. Put a variable neutral density (ND) filter on the lens, set to its maximum darkness.
5. Camera on manual. Use 100 ISO and a high f/number; in this case, f/20
6. Now see what shutter speed I need (20 seconds).

And that’s it!

Notes:

• You do not always need a slow shutter. For the waterfall, 1 second would have been fine too. But the river looks better at that slow speed.
• At small apertures you will see sensor dust if there is a blank surface, like a sky, in the shot.
• Use the 2s self timer, or you will shake the camera by pressing the shutter button.
• Do not damage your equipment; it’s easy enough!

And you will get great pictures.

___

This is a repeat post – because it’s still true.

I am teaching a six evening “Creative Flash 301” course, using Zoom, to the Ajax Camera Club. Fun, and finally an excuse to get a little creative again.

For example. One flash above subject, with small softbox; plus a little fill from front right:

Next: One flash. How is it done, can you work it out?

And another one, showing that one or two off camera flashes is enough to create some cool shots. In this case, just one, again:

Only your creativity is the limit, really. So if you don’t yet know how to get creative with flash, learn (I can help), and have some fun.

You can use some gels (colour filters) for correction, Here, from 2015, is a post with an example.

Take this: I am lit pretty much OK by my flash, and with the camera set to FLASH white balance,, but the background is a tungsten light, so it looks red. I happen to like that, but what if I want that background to look normal, white, the way it looks to me?

Well…  can I not just set the white balance to Tungsten?

No, because then, while the background would look good, the parts lit by the flash would look all blue, like this:

Part 1 of the solution: make the light on me come from a tungsten light source too, so we both look red. We do this by adding a CTO (colour Temperature Orange) to the flash.

Part 2 of the solution: Now you can set the white balance on your camera to “Tungsten”, and both I and the background will look neutral:

Done. Now we both look normal.

So, in summary:  when you are dealing with a colour-cast ambient light, gel your flash to that same colour cast, and then adjust your white balance setting to that colour cast.