Pocketwizardry Tip

Quick tip.

When using Pocketwizards to fire your flashes or speedlites (use Flashzebra cables for the latter if necessary), perhaps for pictures like this:

Evanna Mills by Michael Willems

Evanna Mills, photo by Michael Willems

You get a choice of three settings: local, remote, or both.

Local means “when triggered, fire the device connected to the Pocketwizard”. “Remote” means “when triggered, use your radio transmitter to fire the remote devices that may be listening”. Both means both.

Tip: In any normal situation, set your device to remote on the camera, and to local on the others, that have a flash attached.

Why not just set them all to “both”?

  1. Many radio signals will be sent each time, leading to an increased chance of confusion.
  2. More power is spent this way too.

Yes, I know, radio all over can even make things more reliable. But in my opinion it is as likely to make things less reliable. And yes I know, radio does not use a lot of power and the PWs last forever on two AAs. But “forever” does not actually mean “forever”. The longer you make the batteries last, the better.

It’s one of those engineering things.

PS: in the menu on the right, you can sign up for email notifications every time I post – which is typically once, or sometimes twice, a day. Handy and recommended so you do not miss anything.

Have you ever seen the rain?

Evanna Mills, photo by Michael Willems

Evanna Mills, photo by Michael Willems

Model Evanna Mills, photographed on yesterday’s Pro Workshop featuring Joseph Marranca and myself. Liz Valenta did the make-up.

It was raining.

Actually, it was a garden hose.

Lit mainly from behind, plus additional fill from the front. With the exposure set manually to create a dark background. The lights were both simple speedlites, fired using a pocketwizard.

And here’s one more. Now I am shining that back light through the black umbrella, making it almost white:

Evanna Mills, photo by Michael Willems

Evanna Mills, photo by Michael Willems

You see how much you can do using very simple means? This is what we teach on workshops, and it is also what photographers should keep in mind at all times.Simple technique can do a lot.

Tip: Making it darker

Usually, photography is a struggle to get enough light. Fast lenses, high ISOs, wide apertures: we do what we can. But it is sometimes a good idea to cut light.

Like when you want dark backgrounds and have plenty of flash power, or like when you want to create long exposures during the day, perhaps to capture a flowing waterfall.

The way to do this is to go to a low ISO.  But once you have run out of low ISO, you need to use a filter. A neutral density filter (ND filter) is what you use.

Today’s Tip: if you do not have an ND filter handy, use your polarizer. This too cuts a couple of stops of light. That’s one good reason to always carry one for your popular lenses.

Background

Quick Composition Tip: make sure your background is relevant. The foreground subject in your image should be interacting with, supported by, or given meaning by the background. Otherwise it should not be there.

Tip 2 today: Look for opposing colours. Like red versus green; or as in here, yellow versus blue:

Gold and blue

Gold and blue

Your pictures will stand out more. As simple as that!

One more quick recipe

Quick recipe for you.

Remember this shot, done in the workshop I taught three days ago in Las Vegas with David Honl?

Yasmin Tajik in Las Vegas, by Michael Willems

Yasmin Tajik in Las Vegas

Shot how, you ask? I mean – at what settings and such?

  • Camera: 1D Mark IV with 35mm f/1.4L prime lens.
  • 100 ISO.
  • Camera on manual, 1/320th second at f/16 (slightly exceeding the 1/300th sec synch speed).
  • Flash is an SB900, also on manual (“M” rather than “TTL”); set to full power (“1/1”).
  • Flash is on a boom, and is fitted with a Honl Photo Traveller 8 softbox (notice the nice round catchlights), and is held a couple of feet from Yasmin’s face.

And you know that at full power, with a softbox, an SB900 will give you those settings.

A 430EX will need to be about twice as close to her face.

Try your own flash at those settings: how close do you need to hold it to ensure proper exposure, using the modifier of your choice. Once you know that, it will always be the same. Simple, really.

Note: the SB900 flash will overheat at these settings, especially in Las Vegas. A dozen shots in you will suddenly get no more flashes. The Nikon flash cannot be used at full power, while the Canon flashes can. With a Nikon SB800/900 flash, I would simply go to half power and live with that. If I needed more light, I would add another flash.

Want to know more? Want to learn all this and go home with a few cool portfolio shots? There is still space on the all-day Advanced Flash workshop Sunday in Mono, Ontario. Book now to get a spot.

Oh, one more thing. Am I cheating? Is this just sunlight lighting up Yasmin?

I think not. Here is the same shot without firing the flash (always a good thing to do to test your settings!):

I rest my case.

Opus

Fun facts:

  • Number of Opus lights I have ever owned: 9
  • Number that have broken or malfunctioned: 8
  • Number of Opus umbrellas I have ever owned: 2
  • Number that have broken: 2
  • Printed on the Opus lights: For Professional Use Only
  • Said by importer: for light “trying it out” amateur use only
  • Number of Nikon SB-900 flashes I have ever used: 5
  • Number that have overheated or stopped due to overheating: 5

Fortunately I also have excellent equipment. Bowens strobes, Hoodman accessories, Canon 580EX/430EX speedlites, Honl Photo small flash modifiers, Photoflex umbrellas and flash mount accessories, Manfrotto mount accessories, and much. much more. Expect more reviews, and a pick of the month category.

Setting sun

Look at this photo I shot of Yasmin Tajik, Sunday in Nelson, outside Las Vegas, NV:

Yasmin in Nelson, NV, photo by Michael Willems

Yasmin in Nelson, NV

Nice late afternoon light, and lit by the late afternoon sun.

Except it wasn’t. Yes, it was late afternoon, but Yasmin was not lit by sunlight. She was lit by my flash.

  • The flash was on camera, since I was traveling without light stands. I would normally take it off camera. But when you can’t, as long as you are mixing light, it is OK to shoot with the flash on camera. Outdoors, therefore, straight into your subject’s face is OK, if you have to.
  • Since both I and the subject were moving constantly, I used TTL rather than manual flash.
  • The nice late afternoon colour on Yasmin? Glad you asked. A 1/2 CTO Honl Photo gel on the flash’s Speed Strap, and the camera’s White Balance set to “Flash”.
  • I ensured that the shutter speed would stay below the camera’s sync speed of 1/300th of a second, in order to give the flash maximum range (“Fast Flash/FP Flash” would decrease available power drastically, which at this distance is not a good thing). Doable late afternoon, when the light is not as bright.

As you see, even very simple means can lead to well-lit pictures.

Vegas shots

A few more pictures from Las Vegas. For two days, David Honl and I taught, and showed, and guided the students through the making of these types of flash images:

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Snoots, grids and gels were used for these photos. All were made with simple speedlites.

iPad again

Great news, as I sit here at Philadelpia airport: I notice that the iBooks store in Canada now has actual books. I saw more iPads than laptops on yesterday’s flight from Vegas, and I think today will not be an exception. Older people too.

With a loaded iPad, flying will never be the same, as reader Ed pointed out yesterday. Fantastic. I now have many books, and no extra weight.

Editing photos from Vegas as soon as I get home in a few hours, Deo Volente.