One more quick recipe

Quick recipe for you.

Remember this shot, done in the workshop I taught three days ago in Las Vegas with David Honl?

Yasmin Tajik in Las Vegas, by Michael Willems

Yasmin Tajik in Las Vegas

Shot how, you ask? I mean – at what settings and such?

  • Camera: 1D Mark IV with 35mm f/1.4L prime lens.
  • 100 ISO.
  • Camera on manual, 1/320th second at f/16 (slightly exceeding the 1/300th sec synch speed).
  • Flash is an SB900, also on manual (“M” rather than “TTL”); set to full power (“1/1”).
  • Flash is on a boom, and is fitted with a Honl Photo Traveller 8 softbox (notice the nice round catchlights), and is held a couple of feet from Yasmin’s face.

And you know that at full power, with a softbox, an SB900 will give you those settings.

A 430EX will need to be about twice as close to her face.

Try your own flash at those settings: how close do you need to hold it to ensure proper exposure, using the modifier of your choice. Once you know that, it will always be the same. Simple, really.

Note: the SB900 flash will overheat at these settings, especially in Las Vegas. A dozen shots in you will suddenly get no more flashes. The Nikon flash cannot be used at full power, while the Canon flashes can. With a Nikon SB800/900 flash, I would simply go to half power and live with that. If I needed more light, I would add another flash.

Want to know more? Want to learn all this and go home with a few cool portfolio shots? There is still space on the all-day Advanced Flash workshop Sunday in Mono, Ontario. Book now to get a spot.

Oh, one more thing. Am I cheating? Is this just sunlight lighting up Yasmin?

I think not. Here is the same shot without firing the flash (always a good thing to do to test your settings!):

I rest my case.

Opus

Fun facts:

  • Number of Opus lights I have ever owned: 9
  • Number that have broken or malfunctioned: 8
  • Number of Opus umbrellas I have ever owned: 2
  • Number that have broken: 2
  • Printed on the Opus lights: For Professional Use Only
  • Said by importer: for light “trying it out” amateur use only
  • Number of Nikon SB-900 flashes I have ever used: 5
  • Number that have overheated or stopped due to overheating: 5

Fortunately I also have excellent equipment. Bowens strobes, Hoodman accessories, Canon 580EX/430EX speedlites, Honl Photo small flash modifiers, Photoflex umbrellas and flash mount accessories, Manfrotto mount accessories, and much. much more. Expect more reviews, and a pick of the month category.

Setting sun

Look at this photo I shot of Yasmin Tajik, Sunday in Nelson, outside Las Vegas, NV:

Yasmin in Nelson, NV, photo by Michael Willems

Yasmin in Nelson, NV

Nice late afternoon light, and lit by the late afternoon sun.

Except it wasn’t. Yes, it was late afternoon, but Yasmin was not lit by sunlight. She was lit by my flash.

  • The flash was on camera, since I was traveling without light stands. I would normally take it off camera. But when you can’t, as long as you are mixing light, it is OK to shoot with the flash on camera. Outdoors, therefore, straight into your subject’s face is OK, if you have to.
  • Since both I and the subject were moving constantly, I used TTL rather than manual flash.
  • The nice late afternoon colour on Yasmin? Glad you asked. A 1/2 CTO Honl Photo gel on the flash’s Speed Strap, and the camera’s White Balance set to “Flash”.
  • I ensured that the shutter speed would stay below the camera’s sync speed of 1/300th of a second, in order to give the flash maximum range (“Fast Flash/FP Flash” would decrease available power drastically, which at this distance is not a good thing). Doable late afternoon, when the light is not as bright.

As you see, even very simple means can lead to well-lit pictures.

Vegas shots

A few more pictures from Las Vegas. For two days, David Honl and I taught, and showed, and guided the students through the making of these types of flash images:

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Yasmin Tajik, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Las Vegas Student, photographed by Michael Willems

Snoots, grids and gels were used for these photos. All were made with simple speedlites.

iPad again

Great news, as I sit here at Philadelpia airport: I notice that the iBooks store in Canada now has actual books. I saw more iPads than laptops on yesterday’s flight from Vegas, and I think today will not be an exception. Older people too.

With a loaded iPad, flying will never be the same, as reader Ed pointed out yesterday. Fantastic. I now have many books, and no extra weight.

Editing photos from Vegas as soon as I get home in a few hours, Deo Volente.

Sample

OK, one more sample from the fun series of Flash seminars I did with David Honl at Studio Pet’ographique in Las Vegas.

We filled up the room both days and had a lot of fun. I love sharing what I know, and doing practical shots makes it even better. More later but now I need tocatch a plane to Philadelphia and on to Toronto tomorrow morning.

Gel, grid, and softbox were used fior this picture of a student volunteer:

Photo by Michael Willems

Looking at the light.

Offline soon!

Flash tip

When your flash is grossly overexposing your pictures…

  • The flash is not seated correctly, or the contacts are dirty
  • The flash is set to MAN (manual), instead of TTL
  • You are using + Flash Exposure Compensation (or on a Nikon, also Exposure Compensation).
  • You are simply too close.

Those are four obvious starting points.

Here is me, pictured by David Honl in Las Vegas the other evening. Using a Leica X1 with off camera flash equipped with CTO gel and Honl Photo Traveller 8 softbox.

Michael Willems, shot by photographer David Honl

Michael Willems, shot by David Honl using a Leica and flash

Viva Las Vegas

So I am doing day two today of a two-day seminar series, with special guest star David Honl (yes, the David Honl).In fabulous Las Vegas.

This is tremendous fun – we are taking students first through a thorough grounding in flash theory and hands-on background, and then through a series of actual shots.

Yesterday’s seminar was full; today’s is full too, but I am sure I can fit one or two more in. See http://www.cameratraining.ca/Vegas.html for details.

Would you believe, I forgot to bring a mini-USB to USB cable, so I have two cameras full of tremendous shots, which I cannot share. The setup shots yesterday, as well as model and photographer Yasmin in Nelson, a fantastic “ghost town” plot of abandoned items.

I’ll try to do this today. Stand by for more posts!

iPad Maxi

I received my iPad 3G the day it was released in Canada. Time for a quick review of this oh so important device for photographers, i thought.

In short: The iPad (or in apple-speak, just “iPad”) is a great device. Not a general purpose computer: it is limited, in part by physical limitations and in part by Apple’s need for control. But in spite of this you may well need one. In fact I think you do.

But before I explain why you need one, let’s start with the bad.

Many restrictions are clearly designed to give Apple control over what we do. Restrictions like the fact that it is completely locked down. You cannot add apps other than those okayed by Apple: Steve Jobs gives you, as he put it recently, “freedom”, namely the “freedom from pornography”. Big mistake, as it shows his true colours. Apple needs to be careful: Sony became irrelevant because of its media-ownership inspired controlfreakery, and Apple is slowly on its way to do the same.

An iPad is like a car, or a cable company PVR: you’re really just renting it and you get the feeling that tuning it to your needs would be, if it were up to Apple, a criminal offense. In fact in Canada, jail breaking may soon be exactly that.

So you need iTunes, a horrible app designed seemingly only to give Apple control, for everything. Even for simple things like deleting an image from a photo gallery, or moving one, you need iTunes.

This is inconvenient. I recently noticed I had one incorrect image in a gallery I was about to show as a slideshow on the iPad. Alas, I was 100km away from home, and to delete this one image I would have had to drive back to my iMac. This portable device is only portable if your iMac is, too. (And no, you cannot carry the laptop, because you have to sync your iPad either with your MacBook  or with your iMac, not both.)

There is more such evilness. You cannot sync over Bluetooth or WiFi, thus requiring silly cables. You cannot set a default browser other than Apple’s Safari (like iCab, which is a more functional browser). You cannot just save files. The photo browser is very limited, and does not for instance support hierarchical folders. There is no file manager.

Some of the lack of functionality is not evil, but just consists of unnecessary restrictions by Apple engineers who inexplicably do not think this is necessary. Many simple settings are missing: again like your PVR or car, the device is hardly tunable, and this does get in the way.

For example,

  • In an astonishing oversight, you cannot sort images in the galleries. It’s alphabetical or nothing. “Just rename them”, the fanbois say. Oh – any idea how much work it is to rename 100 images in a gallery? what happened to drag-and-drop?
  • You cannot set the day of week to start when you want (apparently an Apple week starts on Sunday, while mine starts Monday), except as a workaround by setting your country as UK. But then you get Google UK searches every time you search in the browser, and new addresses are added in the UK, with silly phone number formatting.
  • If you have multiple calendars, like one for work and one for personal appointments, then you cannot change the calendar an appointment belongs to once you have created it: instead, you have to delete and recreate the appointment.Another astonishing oversight.
  • There is no-good to-do list app that syncs.  Apple is immune to corporate functionality, it sometimes seems.
  • The mail client is limited. If you have two accounts, as I and many others have, it takes many clicks each time to check them both, navigating back and forth through a very laborious interface. You also cannot set a “from” address. When creating mail, you cannot use bullets. Or numbered lists. Or a properly formatted signature file: that alone is a big limitation for me. So yes, you can email, but it is unnecessarily restricted and half the time I go back to my Mac. I am not sure why Apple does not add more functionality where it clearly is needed and does not rely on heavy processing power or memory.
  • Few Apple employees can be bilingual. I keep having the iPad “correct” my spelling when it shouldn’t.  Not to Apple: Some of us speak multiple languages!
  • I cannot edit my WordPress blog on the iPad, or see statistics. The HTML is too complex, I suppose, and the statistics page uses Flash.

Things like that are annoyances, but time-wasting ones. I just wasted five minutes trying to enter an address in Canada, but the device kept defaulting to the UK. Turns out you cannot just enter the country: I had to make up a city and street.

So OK, the iPad is not a general purpose computer. Then why do you need one?

Let’s look at the benefits.  They are mainly obvious ones, but until you use one you don’t really see how changing they are.

Like the big bright LED backlit screen. Many other things that seem too obvious to mention but that are nevertheless huge, like:

  • 10 hours away from a charger
  • No need to open a lid to use it
  • Wireless on the go at all times
  • A useable keyboard
  • Its smaller than a laptop
  • Orientation sensing, with a switch so you can read in bed.
  • Great reader apps ibooks and kindle

The secret, I think, is to look at the iPad as a better mousetrap.

It is all of these:

  • a book reader, but one that plays all your music too
  • a web browser, but one with a touch screen
  • a photo viewer, but one that also browses the web
  • a portable computer, but one that is always wirelessly connected
  • a portable email device, but one with a large enough keyboard
  • a portable computer, but one with 10 hours battery life on one charge
  • …and so on.

This device is like the hitchhikers guide to the galaxy. Obvious benefits like the ones above lift this pad info an entirely new computing device category.

And of course the way it shows off photos, in spite of the limitations, is fabulous. Much better than a portfolio book.

And yes I did write this on the iPad. In bed.