As a reminder to travellers…

… since I am travelling tomorrow, I think there may be others… and hence, it occurs to me that this may be a good time to remind you of a recent article I wrote for Photo News Canada:

Michael Willems’s Top Ten Travel Tips for ‘Togs

In the next few days I shall probably post a few travel tips as well. But first – packing.


Tip: look for an all-new version of Travel Photography 101 at Henry’s soon. I am finalizing it now!

Reader question

A reader asks the following question:

The issue of aspect ratio: most D-SLR cameras don’t shoot in the traditional 4×6 ratio (or at least I don’t think they do). That’s why whenever I send my photos to be printed off (in 4×6) they always come back a little cropped around the edges.

Good question. Infuriating,  isn’t it?

And yes, you are almost right: other than 4×6, other photo sizes tend to be different: 5×7, 8×10, 13×19 and so on. So why 4×6 is cropped I do not know: most DSLR sensors are 3×2, which is 4×6. So it must be the printing process.

But your question stands: most aspect rations are very different, as are most frames. And the reason is simply history.

And the solution: crop them yourself to the correct aspect ratio, in Lightroom. That way the lab does not have to guess (bad) and you get full control.

Either that, or print at the original aspect ratio on larger paper (i.e. with edges), and then cut those off.

Geo tip

A tip for those of you for whom this is new: about the iPhone.

I use my iPhone camera rather more than I was expecting I would.

Even though I would not want to publish the pictures I take with it, I do take pictures, and then edit them with Chase Jarvis’s Best Camera app.

Why?

  • To remember things. Like printed directions, or a bill, or a product I want to buy, or a URL I want to remember. Snap snap: and I have it forever. Easier than writing.
  • To remember student comments like the following from last week (OK, I apologize profusely for blowing my own trumpet but I think since this blog is a free resource, at least I am allowed to do this every now and then. Right?):
Michael Willems Reference

Michael Willems Reference

  • Importantly, to geotag. Whenever you take an iPhone picture, the iPhone embeds the location it was taken at. So for each shoot, I do a quick pic like that to remember exactly where I was.
  • To recall where a client wants me to take a shot. To recall a great shoot location for an upcoming portrait. One snap and the exact location is forever memorised.
  • To track a trip. A snap every hour during a road trip, and like Hansel and Gretel, I memorise a trail for later recollection or blogging.
  • To recall a vendor location.
  • To store a portrait snap to go with address book records.

Like many of these tools the real use only becomes apparent later, when bright people start to think of even better uses. Use your iPhone camera and tell me why and how you use it.

POSTSCRIPT: Can you geotag even when you have no data plan? Yes! You do not see a map, but that does not matter. Your iPhone knows where it is because of the built-in GPS. That needs no data plan.

Memory cards Q&A

A quick Q&A note about memory cards today.

Q: How many of them do I need?

  1. Get many.
  2. Get more.
  3. Now get more.

Memory cards, I have said for years, are just like baskets. Photos are like eggs. Need I say more?

Q: Do I need fast cards?

Not necessarily. For video and for fast shooting as in sports a fast card is needed. For everything else, there is little need. Fast cards are convenient (faster review, faster writing of the buffer) but not necessary.

Q: Should I buy brand names?

Yes. Lexar, Sandisk, etc are in fact electronically better.

Q: What size?

It depends. I like 16 GB for the big cameras but only because I can write to two cards at once, and because my big cameras write big files. Normally I would say 8-16 GB, no larger.

And when travelling, 4GB cards. Why? Because a 4GB card will write in its entirety to a DVD. An 8 GB card, on the other hand, has to be written to two DVDs which will increase the confusion factor.

Flash tip

When your flash is grossly overexposing your pictures…

  • The flash is not seated correctly, or the contacts are dirty
  • The flash is set to MAN (manual), instead of TTL
  • You are using + Flash Exposure Compensation (or on a Nikon, also Exposure Compensation).
  • You are simply too close.

Those are four obvious starting points.

Here is me, pictured by David Honl in Las Vegas the other evening. Using a Leica X1 with off camera flash equipped with CTO gel and Honl Photo Traveller 8 softbox.

Michael Willems, shot by photographer David Honl

Michael Willems, shot by David Honl using a Leica and flash

Viva Las Vegas

So I am doing day two today of a two-day seminar series, with special guest star David Honl (yes, the David Honl).In fabulous Las Vegas.

This is tremendous fun – we are taking students first through a thorough grounding in flash theory and hands-on background, and then through a series of actual shots.

Yesterday’s seminar was full; today’s is full too, but I am sure I can fit one or two more in. See http://www.cameratraining.ca/Vegas.html for details.

Would you believe, I forgot to bring a mini-USB to USB cable, so I have two cameras full of tremendous shots, which I cannot share. The setup shots yesterday, as well as model and photographer Yasmin in Nelson, a fantastic “ghost town” plot of abandoned items.

I’ll try to do this today. Stand by for more posts!

Take care of your memory.. and memories

A regular reader asks:

Good morning Michael,

I’m going on a 2 week vacation soon, and am thinking about how I manage the cards to keep my risk as low as possible. I plan on nightly backing up the cards to a laptop and to usb sticks. I won’t be deleting any pictures off the cards until I get home (if at all possible). This way I should have 3 way protection. A little crazy, but we’re dropping 10k into this. I don’t want to lose anything. My big worry would be losing the camera bag and laptop due to theft. The usb sticks will always be kept on me or in a different location at least.

Anyway, I’ve a question about handling memory cards. I have always left them in the plastic containers they came in and then put them into slots in my camera bag. I find that cumbersome, but I don’t want to damage them. These are SD cards if that matters. Is it okay just to forget about the plastic cases and tuck the cards into the elastic slots? What about card cases? Do you have any recommendations?

Thanks for any thoughts. I’ve been enjoying your down to earth photography discussions.

Thanks for the compliment, and yes, I have some thoughts:

  • First, the idea of backups makes a lot of sense to me. Things fail and get stolen. I always keep backups, multiple backups if possible, while travelling.
  • If a laptop is big or expensive, consider a Netbook and external drives. A netbook is useless at most things but great for things like backing up pics from an USB-mounted card to an external drive or two – and they’re cheap.
  • I like 4 GB cards. Why? Because they avoid “too much on one card” and because a 4GB card fits in its entirety onto a DVD! Then you can burn DVDs (or go to a camera store to have it done) and mail yourself a copy at home. That’s real safety. And a DVD costs just a few pennies.
  • Cards in the bag without cases is fine – I do that too, as long as the bag is not a flexible type you will sit on. Camera stores sell little card-wraps/containers; many of these have a clip you can use to secure the container to your camera bag. This is an essential step.
  • After backing up a memory card, before reusing it always format it – and in the camera. It does not have to be a low-level format – but I do that too every now and then, just to keep the card fresh.
  • Avoid 800 pictures of Rome on one card. Someone grabs your camera: the pictures are all gone. I swap cards regularly whether I have to or not.

Finally: shoot RAW so you can save sub-optimal pictures, and bring a lot of memory. Your $10k is ephemeral: it is gone as soon as the trip is over – but by securing the trip in pics that $10,000 becomes a lasting investment. That’s worth some extra memory cards!

Tip: Become a bag-person.

Quick Tip of the day: carry some small things at all times. Namely:

  • Plastic bags – to put things into, absorb shocks in your camera bags, stop things from moving around, and heck, even to throw up into if you’re sick.
  • Microfiber Cloths – to regularly clean your lenses and the back of your camera’s LCD, and also to absorb shocks in your bag.
  • A cheap 1″ paint brush – dust that does not get onto your camera will not get into your camera.
  • A “bulb”-type air blower – ditto.
  • Shower caps from hotel rooms – to wrap around your camera when it rains – poke a hole at both ends and you’re better protected than without.

These cost almost nothing, weigh almost nothing, and are worth more than than their weight in gold for a photographer. Solutions can be low-tech.

Photojournalism is dangerous

Especially so in Iraq, as PDN points out in this article, about the 2007 killing by a US helicopter crew of a Reuters journalist and his companions – 12-15 people died. The salient point is that they died because the soldiers mistook cameras and lenses for rifles and RPG launchers.

The army, of course, is in a difficult situation in Iraq. It concluded that “the soldiers had acted according to the rules of military engagement”. WikiLeaks disagrees: watch the entire video on http://www.collateralmurder.com/

And a note to Dave Honl: if you’re a journalist working in Iraq, be careful.